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My Fictional ebay stores

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crazy_louies_crack_house_of_comics
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Vintage Foreign Comics Comic Books, U.K. United Kingdom Great Britain British New Zealand Australian Sweden Swedish Chilean Chile Mexico Mexican
 
 
transglobalcom
Uncommon Bad Girls of London Night, Razor, Autographs, Signatures, Nude Variants, Photo Covers

I've scanned most of the more expensive issues listed in this thread.
If you wish to see a scan of any particular issue, please ask, and I will gladly comply.

Shipping

In the continental U. S.,
I can ship up to 3 books for $3.00 media mail,
4-8 books, shipping is $4.50 media mail,
9-30 books, shipping is $6.00 media mail.
Shipping to Canada starts at $9.00.
Worldwide shipping starts at $11.00.

Buy twenty comics and receive a 10% discount
Buy forty comics and receive free shipping in the continental U.S.

Payment by PayPal, Money Order or Check
Satisfaction guaranteed or your money back

Notes supplied from http://www.fredknoz.com/LNSChecklist.html
and The Comic Book Price Guide (online)

RAZOR (1992-1999) Note - Title becomes Razor Uncut at #13.

RAZOR #0, NM VARIANT
Fathom Press Edition (Mar 1992) Estimated Print Run 5,000
$8.00
Photobucket

RAZOR #0, NM VARIANT
London Knight Studios Edition (1995). Estimated Print Run 11,000
$3.00
Photobucket

RAZOR #1, NM
Fathom Press Edition (Aug 1992). Estimated Print Run 9,000
$24.00
Photobucket

RAZOR #1, VF
Fathom Press Edition (Aug 1992). Estimated Print Run 9,000
Autographed Signed Signature "Hartsoe"?
$20.00
Photobucket

RAZOR #2, VF+/NM-
Standard Edition. Estimated Print Run 9,000
Autographed Signed Signature "Everette Hartsoe"
$18.00
Photobucket

RAZOR #3, NM VARIANT
Poster Edition. Estimated Print Run 3,000
Autographed Signed Signatures "Hartsoe" "Tyler" "Watson"
$16.00
Photobucket

RAZOR #4, NM
Standard Edition. Estimated Print Run 7,000
$6.00
Photobucket

RAZOR #4, VF+ VARIANT
Poster Edition. Estimated Print Run 1,000
$14.00
Photobucket

RAZOR #8, NM
Photo Cover. approximate print run--6,000
$2.00
Photobucket

RAZOR #11, NM
approximate print run--8,000
$2.00

RAZOR #12, NM
approximate print run--10,000
(2 copies)
$2.00 each
Photobucket

RAZOR: UNCUT #13, NM
Note: Title changes from Razor to Razor: Uncut at #13.
(2 copies)
$2.00

RAZOR: UNCUT #14, NM
$1.00

RAZOR: UNCUT #14, VF-
$0.50

RAZOR: UNCUT #15, NM
$1.00

RAZOR: UNCUT #16, VF-
$0.50

RAZOR: UNCUT #17, NM
$1.00

RAZOR: UNCUT #17, VF-
$0.50

RAZOR: UNCUT #18, NM
$1.00

RAZOR: UNCUT #19, NM
(2 copies)
$1.00 each

RAZOR: UNCUT #20, NM
$1.00

RAZOR: UNCUT #21, NM
$1.00

RAZOR: UNCUT #22, VF
$1.00

RAZOR: UNCUT #23, FN+
$0.50

RAZOR: UNCUT #24, NM
$1.00

RAZOR: UNCUT #25, NM VARIANT
Limited Nude Photo Cover Edition - approximate print run--3,000
$8.00
Photobucket

RAZOR: UNCUT #31, NM
approximate print run--9,000
$1.00

RAZOR: UNCUT #32, NM
approximate print run--7,000
$1.00

RAZOR: UNCUT #32, VF+
approximate print run--7,000
$1.00

RAZOR: UNCUT #38, NM
approximate print run--6,000
$1.00

RAZOR: UNCUT #45, NM
approximate print run--4,000
$2.00

RAZOR: UNCUT #46, NM
approximate print run--4,000
$2.00

RAZOR: UNCUT #48, NM
approximate print run--4,000
$2.00

RAZOR: UNCUT #50, NM
Tony Daniel Cover. approximate print run--5,000
$2.00

RAZOR: BURN #1, NM (1994-1995)
(3 copies)
$1.00 each

RAZOR: BURN #2, NM (1994-1995)
$1.00

RAZOR: BURN #3, NM (1994-1995)
(2 copies)
$1.00 each

RAZOR: BURN #3, VF (1994-1995)
$0.50

RAZOR: BURN #4, NM (1994-1995)
$1.00

RAZOR: BURN #4, NM- (1994-1995)
$1.00

RAZOR: BURN #5, NM (1994-1995)
Autographed Signed Signature "Rick Lyons"?
$3.00 each

Photobucket

RAZOR: BURN #5, VF- (1994-1995)
$0.50

RAZOR: THE SUFFERING #1, NM VARIANT (1994-1995)
Directors Cut Edition
$3.00
Photobucket

RAZOR: THE SUFFERING #2, NM VARIANT (1994-1995)
Directors Cut Edition
$3.00
Photobucket

RAZOR: THE SUFFERING #3, NM (1994-1995)
$1.00

RAZOR/DARK ANGEL: FINAL NAIL #1, NM (Boneyard Press, 1994)
$1.00

RAZOR/DARK ANGEL: FINAL NAIL #2, NM (London Night Studios, 1994)
Autographed Signed Signature "Hart Fisher"
$3.00

Photobucket

RAZOR: CONVENTION BOOK 1994-1995 One-Shot NM (1994)
Limited to 5,000 (#1548) - Photo Cover - Autographed Signed Signature - "Everette Hartsoe"
$5.00

Photobucket

RAZOR: TORTURE #0, NM (1995-1996)
Holofoil Cover
$7.00

RAZOR: TORTURE #0, NM VARIANT (1995-1996)
Holofoil Cover
Autographed Signed Signature "Rick Lyons"?
$9.00
Photobucket

Here's a close up of the signature. I'm not sure what the name is. "Rick Lyons"?
Several of these comics are signed this way.

Photobucket

RAZOR: TORTURE #0, NM VARIANT (1995-1996)
Platinum Edition
(2 copies)
$8.00 each

Photobucket

RAZOR: TORTURE #1, NM (1995-1996)
Autographed Signed Signature "Rick Lyons"?
$3.00
Photobucket

RAZOR: TORTURE #2, NM (1995-1996)
Autographed Signed Signature "Rick Lyons"?
$3.00
Photobucket

RAZOR: TORTURE #2, NM VARIANT (1995-1996)
Arizona Cover
Autographed Signed Signature "Rick Lyons"?
$8.00
Photobucket

RAZOR: TORTURE #3, NM (1995-1996)
$1.00


RAZOR: TORTURE #3, NM (1995-1996)
Autographed Signed Signature "Rick Lyons"?
$3.00
Photobucket

RAZOR: TORTURE #3, NM VARIANT (1995-1996)
Knight Cross Cover. Limited to 2,000.
Autographed Signed Signature "Rick Lyons"?
$5.00
Photobucket

Here's a close up of the signature. I'm not sure what the name is. "Rick Lyons"?
Several of these comics are signed this way.

Photobucket


RAZOR: TORTURE #4, NM (1995-1996)
Autographed Signed Signature "Rick Lyons"?
$3.00
Photobucket

RAZOR: TORTURE #5, NM (1995-1996)
Autographed Signed Signature "Rick Lyons"?
$3.00
Photobucket

RAZOR: TORTURE #6, NM (1995-1996)
$1.00


RAZOR: CRY NO MORE One-Shot NM (1995)
$3.00


RAZOR: CRY NO MORE One-Shot NM VARIANT (1995)
Comic Cavalcade Edition. Limited to 2,000.
$6.00

Photobucket

RAZOR: SWIMSUIT SPECIAL One-Shot NM (1995)
$6.00

RAZOR vol. 2, #1, NM (1996-1997)
Chromium Cover
$2.00

RAZOR vol. 2, #2, VF (1996-1997)
$0.50

RAZOR vol. 2, #3, NM- (1996-1997)
$1.00

RAZOR vol. 2, #3, NM VARIANT (1996-1997)
$3.00

Photobucket

RAZOR vol. 2, #4, VF (1996-1997)
$0.50

RAZOR vol. 2, #5, NM (1996-1997)
$1.00

RAZOR vol. 2, #6, NM (1996-1997)
$1.00

RAZOR vol. 2, #7, VF (1996-1997)
$0.50

RAZOR: METAL AND FLESH One-Shot NM (1996)
Mini Comic. Packaged with Metal and Flesh Chromium Card Boxes
(I'm not sure which one I have.)
$6.00 Chromium Comic. Ratio was 1 in 5 Boxes.
Photobucket

RAZOR & MORBID ANGEL: SOUL SEARCH #1, NM (1996)
$1.00

RAZOR & MORBID ANGEL: SOUL SEARCH #2, NM (1996)
$1.00

RAZOR/WARRIOR NUN: FAITH One-Shot NM (1996)
$1.00

RAZOR/WARRIOR NUN: FAITH One-Shot NM VARIANT (1996)
Holy Virgin Edition
$7.00

Photobucket

RAZOR/SWITCHBLADE SYMPHONY #1, NM (1997)
(2 copies)
$2.00 each

RAZOR: THE DARKEST NIGHT #3A, NM VARIANT (1999)
Elite Edition - Photo Cover
$4.00

Photobucket

THE CROW/RAZOR: THE LOST CHAPTER One-Shot VF VARIANT (1999)
Elite Edition.
$7.00

Photobucket

RAZOR'S EDGE #0, NM (1999-2000)
Razor and Lethal Stryke on cover
$3.00

RAZOR'S EDGE #1, NM (1999-2000)
Jeff Piterelli Cover
$3.00

RAZOR'S EDGE #2, NM VARIANT (1999-2000)
Razor Cover
$4.00

Photobucket

RAZOR'S EDGE #3, NM VARIANT (1999-2000)
Hartsoe Cover
$3.00

Photobucket

RAZOR'S EDGE #4, NM (1999-2000)
Rumiko Cover (anime)
$3.00

Photobucket

RAZOR/WARRIOR NUN AREALA: DARK PROPHECY #1, NM (Antarctic Press, 1999)
$1.00

RAZOR: THE RAVENING One-Shot VF (Avatar Press, 1999)
$3.00

RAZOR: TILL I BLEED DAYLIGHT #1, NM- VARIANT (Avatar Press, 2000)
$3.00

Photobucket

RAZOR: BLEEDING HEART #1, NM- VARIANT (Avatar Press, 2001)
$3.00

Photobucket
=========================

NIGHTSHADES #1, FN (1993-1994)
$2.00
Photobucket

FEMME MACABRE #2, NM (1994)
Semi-Nude Cover
$2.00
Photobucket

RAW CITY #1, NM (1995)
$1.00

STRYKE #0, NM (1995)
$1.00

STRYKE #0, VF (1995)
$0.50

LONDON NIGHT - LINGERIE SPECIAL, VF- VARIANT (1996)
Naughty Edition - Nude Cover
$8.00
Photobucket

EMBRACE: KILL ME SOFTLY One-Shot NM (1996)
Carmen Electra Photo Cover
$4.00
Photobucket

EMBRACE: KILL ME SOFTLY One-Shot VF (1996)
Carmen Electra Photo Cover
$2.00

EMBRACE: KILL ME SOFTLY One-Shot NM VARIANT (1996)
NC-17 Edition - Carmen Electra Photo Cover
$6.00
Photobucket




EMBRACE: HUNGER OF THE FLESH #1, NM (1997)
(3 copies)
$3.00 each

EMBRACE: HUNGER OF THE FLESH #2, NM (1997)
Carmen Electra Photo Cover
$4.00
Photobucket

EMBRACE: HUNGER OF THE FLESH #2, NM VARIANT (1997)
Nude Photo Cover Edition
$6.00
Photobucket

EMBRACE: HUNGER OF THE FLESH #3, NM VARIANT (1997)
Nude Photo Cover Edition
$6.00
Photobucket

RAZOR/EMBRACE: THE SPAWNING #1, NM (1997)
Carmen Electra Photo Cover
$4.00
Photobucket

MORBID ANGEL #1/2, NM VARIANT(1996)
Purple Foil Enhanced Angel's Tear Limited Edition.
$8.00
Photobucket

MORBID ANGEL: TO HELL AND BACK #1, NM (1996-1997)
$1.00

TOMMI GUNN #1/2, NM (1996)
$2.00

TOMMI GUNN #1, NM (1996)
With Photo Poster of Heather Elizabeth Parkhurst
(2 copies)
$2.00 each

TOMMI GUNN #2, NM (1996)
With Photo Poster of Heather Elizabeth Parkhurst
$2.00

TOMMI GUNN #3, NM (1996)
With Photo Poster of Heather Elizabeth Parkhurst
$2.00

DEAD BOYS #1, NM (1996)
$1.00

DEAD BOYS #1, VF- (1996)
$0.50

LETHAL STRIKE CHROMIUM PROMO CARDS (5.25" x 8.25")
(2 copies)
$5.00 each
Photobucket

LETHAL STRIKE/DOUBLE IMPACT: LETHAL IMPACT One-Shot FN- (1996)
$0.25

POIZON: LOST CHILD #1, NM (1996)
Skulls in background.
$2.00

POIZON: LOST CHILD #3, FN- (1996)
$0.25

FULL METAL FICTION (FMF) #1, VF (1997)
Nude Wet T-Shirt Cover
Autographed Signed Signature "Everette Hartsoe"
$4.00
Photobucket

FULL METAL FICTION (FMF) #3, NM (1997)
(2 copies)
$2.00 each
Photobucket

ULTIMATE STRIKE #5, NM (1997)
$3.00

ULTIMATE STRIKE #10, NM (1997)
Photo Cover
$3.00
Photobucket

ULTIMATE STRIKE #11, NM (1997)
$3.00

ULTIMATE STRIKE #12, NM (1997)
Photo Cover
$3.00
Photobucket

ARIZONA: A SIMPLE HORROR #2, NM (1998)
$2.00

Photobucket
 
 
transglobalcom
30 July 2009 @ 07:59 am
http://www.youtube.com/watch?v=onlqOlwvx4A

http://www.youtube.com/watch?v=onlqOlwvx4A
http://www.youtube.com/watch?v=nVbaDlGCeDg http://www.youtube.com/watch?v=ICRviz898dQ The short story of APHRODITE'S CHILD starts in 1968, when the Greek/Egyptian bassist and vocalist named Artemios Ventouris Roussos (Demis Roussos) and the powerful drummer Lucas Sideras were supposed to meet the multi instrumentalist Evengelio Odyssey Papathanassiou (VANGELIS) who had left his first group FORMINXS, but the first two were not admitted to England because they had no working permits but custom officers discovered photos and tapes in their luggage so they assumed the musicians intended to stay.

A few months later the three musicians join in Paris with Anargyros Koulouris (Silver Koulouris) a very competent guitar player and they decide to form a new band which was supposed to mix traditional Greek music with Western Pop and Psychedelia, but they ended doing much more than was expected.

Due to their financial situation they had to sign a terrible contract with a record company. Soon after the birth of the band, Silver Kouloris has to leave the group because he was called for his Military Service and only joins again for the recording of their last album 666, during these years Demis Roussos has to play guitar and bass.

Their first two releases "End of the World" (which includes two hit singles, "Rain and Tears" and "I Want To Live", the last one reached N° 1 in most Europe) and "It's Five O'Clock" showed a commercial oriented band with a very peculiar sound, but it's not until 1970, when they start to record the brilliant and adventurous "666" that they get a place in progressive Rock history even when the relation inside the band was at the lowest point, mostly because VANGELIS wanted to do more serious music than Lucas Sideras and Roussos.

The paradox is that this masterpiece which combines 100% Symphonic structure, British Psychedelia, Greek Orthodox Religious music with a touch of pop was only released in 1972 (after the band had already split) due to several reasons like the controversial concept ("The Book of Revelations"), the confession made by the band that "666" was conceived under the influence of Sahlep (some people believed this word was referred to some kind of pagan divinity when in fact it's a common non alcoholic beverage from Turkey) and the track "Infinity" sung by the great actress Irene Papas which is really a five minutes orgasm.

After APHRODITE'S CHILD disbanded, the members took different paths, like Roussos who became a well known pop singer and VANGELIS who is still a respected Progressive/New Age artist, but none of their later works will have the importance of "666", an Icon of Progressive Rock and one of the first conceptual albums in history.

: : : Iván Melgar Morey - PERU : : :
Category: Music
Tags:
symphonic progressive prog Aphrodite's Child 666
 
 
transglobalcom


The Matrix lobby scene set to Fatboy Slim's "Right Here, Right Now". My friends and I made this 7 years ago just by syncing up the audio and the video -- no editing at all. Check out how well the two match!
Category: Entertainment
Tags:
fatboy slim matrix mashup keanu reeves carrie anne moss



The last song off of Rush's debut album.
RIP John Rutsey: 1953-2008

ALL RIGHTS TO THIS SONG AND THIS ALBUM GO TO RUSH, Moon Records, Mercury Records, and Anthem Records.
Category: Music
Tags:
rush working man debut album geddy lee alex lifeson neil peart john rutsey rock guitar bass drums jcsonguitar
 
 
transglobalcom
http://www.youtube.com/watch?v=i-EOw8da0xA
Flo Rida Feat Nelly Furtado "Jump" (new song 2009) + Lyrics link http://tinyurl.com/4freedoe
flo rida nelly futado jump new song 2009 lyrics right round lady gaga colby odonis akon t pain ...
Category: Music
Tags:
flo rida nelly futado jump new song 2009 lyrics right round lady gaga colby odonis akon pain the dream
http://www.youtube.com/watch?v=i-EOw8da0xA


http://www.youtube.com/watch?v=i-EOw8da0xA

http://tinyurl.com/obsessed-tone Send this song directly to your cell @ -► http://tinyurl.com/obsessed-tone
Mariah Carey Obsessed new single from her upcoming album Memoirs of An Imperfect Angel in stores August 25. Produced by Mariah the Dream and Tricky. Eminem Diss
"Obsessed" Lyrics
OBSESSED
(Mariah Carey - C. Tricky Stewart - Terius "The-Dream" Nash)

I was like, "Why are you so obsessed with me?"

So oh oh oh oh
So oh oh oh oh
So oh oh oh oh
So oh oh oh oh

Will the real MC please, step to the mike?

So oh oh oh oh
So oh oh oh oh
So oh oh oh oh
So oh oh oh oh

All up in the blogs
Saying we met at the bar
When I don't even know who you are
Saying we up in your house
Saying I'm up in your car
But you in LA and I'm out at Jermaine's.
I'm up in the A
You so so lame
and no one here even mentions your name
It must be the weed. It must be the E
Cause you be popping hood
You get it popping, Oh

Why you so obsessed with me (Boy I wanna know)
Lying that you're sexing me (when everybody knows)
It's clear that you're upset with me
Finally found a girl that you couldn't impress
Last man on the earth still couldn't hit this
You're delusional, you're delusional
Boy you're losing your mind
It's confusing yo, you're confused you know
Why you wasting your time
Got you all fired up with your Napoleon complex
Seeing right through you like you're bathing in Windex
Boy why you so obsessed with me?

You on your job
You hating hard
Ain't gon' feed you
I'm gonna let you starve
Gasping for air
I'm ventilation
You out of breath
Hope you ain't waiting
Telling the world how much you miss me
But we never were
So why you trippin'
You a mom and pop
I'm a corporation
I'm the press conference
and you a conversation

Why you so obsessed with me (Boy I wanna know)
Lying that you're sexing me (when everybody knows)
It's clear that you're upset with me
Finally found a girl that you couldn't impress
Last man on the earth still couldn't hit this
You're delusional, you're delusional
Boy you're losing your mind
It's confusing yo, you're confused you know
Why you wasting your time
Got you all fired up with your Napoleon complex
Seeing right through you like you're bathing in Windex
Boy why you so obsessed with me?

Why you so obsessed with me
Lying that you're sexing me
It's clear that you're upset with me
Finally found a girl that you couldn't impress
Last man on the earth still couldn't hit this
You're delusional, you're delusional
Boy you're losing your mind
It's confusing yo, you're confused you know
Why you wasting your time
Got you all fired up with y our Napoleon complex
Seeing right through you like you're bathing in Windex
Boy why you so obsessed with me?
Category: Music
Tags:
mariah carey obsessed lyrics music video eminem diss
 
 
transglobalcom
30 July 2009 @ 05:33 am
 
 
transglobalcom
A lifetime personal prayer :) Hope you guys enjoy something a little different

TWITTER
http://www.twitter.com/alphacat1
FACEBOOK
http://www.facebook.com/imancrosson
See more videos and enter at
http://www.youtube.com/hp

VISUAL EFFECTS by:
Neil
http://www.youtube.com/banananeil
Category: Entertainment
Tags:
alphacat HP youonyou contest firepit prose visual effect change
 
 
transglobalcom
Photo Sharing and Video Hosting at PhotobucketCLICK HERE, PLEASE Photo Sharing and Video Hosting at Photobucket









Visit Brand Tampa





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Photo Sharing and Video Hosting at PhotobucketCLICK HERE, PLEASE Photo Sharing and Video Hosting at Photobucket









Visit Brand Tampa





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Burning Comics Slideshows 247 AUCTIONS GA/SA/BA HOT ROD LOVE/ROMANCE WAR HORROR

MONDAY MONSTER BLOG 041309 Apr 13 2009 NEW Burning Comics Slideshows Ebay Auction SHARPSHOOTER 7 _SCANS

 
 
transglobalcom
25 July 2009 @ 10:06 pm

layout for myspace </b></font></font></font>
</p>

</font>I KILLED ADOLPH HITLER, NM, JASON

Product Details

* Paperback: 48 pages
* Publisher: Fantagraphics; First Edition edition (October 22, 2007)
* Product Dimensions: 9.8 x 7.1 x 0.3 inches

Editorial Reviews
From Publishers Weekly
Starred Review. Between the opening note of perverse sexuality and the touching tribute to the permanence of true love at the end, murder, time travel and alternate futures fill in the second act of this astonishing graphic novel. Such a tale could only be penned by Jason, the Norwegian cartoonist who mixes outré fantasy with deadpan romanticism. As in all his books, this one is populated exclusively by a cast of lanky anthropomorphic animals. The setting is a world where hit man is just another job; the hero has a dissatisfied girlfriend and a boring job knocking off people who are merely annoying—a too loud neighbor, an overbearing boss. But as usual in Jason's work, the story soon veers off in an unexpected direction when the protagonist is hired to go back in time to kill Adolf Hitler via a time machine that takes 50 years to fully charge. He only has one chance, but messes up, allowing Hitler to come to the present day. The story—perhaps inspired by the French time travel film La Jetée—takes on even more unusual twists from there, before reaching a surprising and completely satisfying denouement that solves both the hero's relationship problems and World War II. Jason continues to be one of the best cartoonists working anywhere. (Oct.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review
Jason's work is poetry. Beautiful and frightening. Redemptive and hopeless. He is the Kafka and Keats of the comic world. -- Sherman Alexie

One of the medium's finest storytellers. -- Publishers Weekly


Product Description
A contract killer goes back in time to kill Hitler...and fails spectacularly.

For his latest graphic novel (the third in color, the ninth to be published by Fantagraphics) Jason posits a strange, violent world in which contract killers can be hired to rub out pests, be they dysfunctional relatives, abusive co-workers, loud neighbors, or just annoyances in general—and as you might imagine, their services are in heavy demand.

One such killer is given the unique job of traveling back in time to kill Adolf Hitler in 1939...but things go wrong, Hitler overpowers the would-be assassin and sends himself to the present, leaving the killer stranded in the past.

The killer eventually finds his way back into the present by simply waiting the decades out as he ages, and teams up with his now much-younger girlfriend to track down the missing fascist dictator...at which point the book veers further into Jason territory, as the cartoonist's minimalist, wickedly dry sense of humor slows down the story to a crawl: for long patches absolutely nothing happens, but nobody can make nothing happening as riotously entertaining as Jason does...and finally, when the reader isn't paying attention, he brings it together with a shocking, perfectly logical and yet completely unexpected climax which also solves a mystery from the very beginning of the book the reader had forgotten about.

As always, I Killed Adolf Hitler is rendered in Jason's crisp deadpan neo-clear-line style, once again augmented by lovely, understated coloring.

About the Author
Jason hails from Oslo, Norway and now spends his time in Montpellier, France.

http://i540.photobucket.com/albums/gg348/SHARPSHOOTER_7_SCANS/INDY%201/INDEPENDENTCOMICS2025.jpg

POWERS COLORING BOOK
http://i540.photobucket.com/albums/gg348/SHARPSHOOTER_7_SCANS/INDY%201/INDEPENDENTCOMICS2062.jpg

BATTLE BABES COLORING BOOK
http://i540.photobucket.com/albums/gg348/SHARPSHOOTER_7_SCANS/INDY%201/INDEPENDENTCOMICS2061.jpg

THE DITKO COLLECTION 1966-1973, Vol. 1
* Hardcover: 112 pages
* Publisher: Fantagraphics Books; 1st edition (1985)

This is a collection of the "fanzine" work Mr. Ditko did after Spider-Man, and during the Blue Beetle, Creeper, and Hawk and Dove. The artwork is gorgeous, as you may expect, but the real joy is seeing a master of the comic book form use that form to address philosophical issues. Whether you agree with the Ayn Rand-ish viewpoint or not, the work is a turning point in the career of one of the best artists/storytellers that comics ever saw.

Steve Ditko has done for any rand's objectivism what Vic Lockman has done for Christianity, making even the deeper ideas more ascessible to younger audiences. If only Ditko had known that there *is* such a person as the Christ, whose (earthly) life can be shown to have been the embodiment of rationality. If only he knew that when Aristotle stated "a = a" he was only restating God's (YHWH's) "I AM THAT I AM". Of course, this is the problem with Rand's ojectivism. There is an emerging philosophy, however, that is working to correct this false identification of reality.

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THE ODD COMIC WORLD OF RICHARD CORBEN
Paperback: 80 pages
Publisher: Warren Adult Fantasy (1977)
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SWORD AND FANTASY, RICHARD CORBEN, BERNIE WRIGHTSON
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FRANK CHO SKETCHES AND SCRIBBLES (BOOK 2) NM AUTOGRAPHED SIGNATURE
Number 2189 of a limited edition of 3000 signed by Frank Cho.
Paperback: 80 pages
Publisher: Monkey Boy Press; 1st edition (2005)
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THE DAVE NESTLER SKETCHBOOK vol. 1, NM, BAD GIRLS DRAWN NICELY

Paperback: 64 pages
Publisher: SQP (July 2004)
Product Dimensions: 10.8 x 8.4 x 0.2 inches

Dave Nestler has made a career of illustrating impossibly beautiful women, creating some of the most breathtaking paintings you've ever had dancing through your fondest naughty thoughts. Although it may seem like magic, there's a staggering amount of study and technique involved in the creation of such works. You think staring at pretty girls all day long is easy? Fun, sure, but easy? Nestler lets you roam through pages and pages of delightful detailed finished drawings of females in all manner of positions and attitudes, giving you valuable insight into his craft (and letting you enjoy the view!).
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THE DAVE NESTLER SKETCHBOOK vol. 2, NM, BAD GIRLS RIDE AGAIN

Paperback: 64 pages
Publisher: SQP Inc.; 1st edition (June 15, 2005)
Product Dimensions: 10.9 x 8.2 x 0.2 inches

Dave Nestler is primarily known as a gallery-level painter who specializes in sexy girls. His ability to create realistic portraits of fantasy women fetch nose-bleed prices, and his work is in constant demand. When his first sketchbook was assembled, we knew it would interest those who like to go behind-the-scenes to see what goes into a painting, but were delighted to see it become one of our best selling books of 2004. Seems people really like Dave's eye for the ladies, even in sketch form, so Mr. Nestler dutifully began collecting a new series of drawings for a second volume. Featuring a new painting that continues the ever-popular "Naughty School Girl" motif, this book has more of what made Volume One so popular - girls, girls, and sure -more girls, as only Dave Nestler can create!
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THE ART OF DAVE NESTLER: WICKED INTENTIONS, NM

Paperback: 48 pages
Publisher: SQP (December 15, 2002)
Product Dimensions: 11.7 x 8.7 x 0.2 inches

Dave Nestler knows several things: how to survive in high style, zig when others zag, and most importantly - how to draw outrageously sensual women.

When he first started in commercial illustration, Dave's innate ability to capture likenesses got him plenty of assignments in the media capital of the universe - Hollywood. Throughout the Eighties, Nestler?s handiwork appeared in some of the hottest properties for film, television, design studios and the like. But as technology (the computer) could do more and more, faster and cheaper, Dave's once-lucrative career started to hit some dry patches. It was time to come up with another plan.

Always a fan of the pin-up, and inspired by such greats as Alberto Vargas and Hajime Sorayama, by the mid 90's Dave had created a series of stunning erotic portraits that got him the attention of Playboy Magazine. It wasn't long before he would star in gallery showings, and command fine-art prices for his illustrations. For those not quite ready to mortgage the house, here for the first time is a collection of these full color masterworks for your own personal admiration.

The Art of Dave Nestler is an over-sized presentation, 48 pages in glorious full color, printed on heavyweight coated stock - every page worthy of a frame and a spotlight of its own.

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THE ART OF NEAL ADAMS v.1, VF 1975
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HOUSE OF HAMMER v.2, #2, VF RAQUEL WELCH, URSULA ANDRESS

One Million Years B.C. - The full film told in comics. John Bolton story art
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RASCALS IN PARADISE 1,2,3, ALL VF, JIM SILKE GOOD GIRL ART

Rascals in Paradise was a comic book limited series created in 1994 by writer/artist Jim Silke and published by Dark Horse Comics. It was labeled "for mature adults only", and illustrated in a "deco sci-fi" style.

Plot

In the year 2362, a duplicate of Earth is created, ostensibly as a planet-sized vacation resort. However, due to an error or miscalculation, the machine intelligence that was supposed to create the world instead created a planet called Trash-9, a world covered by hostile jungles, wilderness and deserts, and populated by dangerous natives.

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SAVAGE TALES v.2, #2, VF SUYDAM COVER ART
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BLAZING COMBAT #3, VF/NM WARREN FRANK FRAZETTA, ALEX TOTH, WAR

Story art by Alex Toth, Reed Crandall, Gene Colon, Gray Morrow, John Severin, Jerry Grandenetti
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LITTLE ANNIE FANNY

Paperback: 224 pages
Publisher: Dark Horse; 1st edition (November, 2000)
Product Dimensions: 10.8 x 8.3 x 0.7 inches

Dark Horse Comics and Playboy Enterprises are proud to present for the first time ever the more than 400 pages of the late, great Harvey Kurtzman's Little Annie Fanny, collected in two deluxe volumes. Kurtzman, creator of Mad magazine and godfather of underground comix, teamed with longtime E.C. Comics collaborator Will Elder (and sometimes Frank Frazetta, Russ Heath, and Jack Davis!) to create a Playboy icon second only to the bunny and a risqué comics icon second to none! Each volume showcases over 200 pages of stunningly rendered stories from the sexy strip's 25-year run. Trend setting in its use of color, irreverent in its satirical look at the changing face of America, and a masterpiece of technique, this definitive collection of one of world's most controversial comic strips is long overdue. This first volume takes us through the swinging Sixties with the Beatles, Civil Rights, and the beginning of the Sexual Revolution. Also included, a detailed behind-the-scenes look at the strip's creative process, featuring never-before-seen art and preliminary drawings!

From Publishers Weekly
Little Annie Fanny, the buxom blonde who appeared for 26 years in the pages of Playboy magazine, returns in the first of a two-volume reprint. Created by Mad Magazine cofounder Harvey Kurtzman and legendary cartoonist Will Elder, Fanny's comic exploits (in various states of undress and nearly always topless) are set during the swinging '60s. These panels, published from 1962 to 1970, allow few cultural events of the period to escape Kurtzman and Elder's madcap social satire. Psychedelic drugs, the sexual revolution, the Peace Corps, the civil rights movement and the space race all feature as backdrops for Annie's misadventures and almost all of the gags involve Annie shedding her clothes while the men around her turn into fawning idiots. Among her many adventures, the witless actress sprints in the 1968 Olympics, plays football for the Green Bay Packers and gets naked with the Fab Four. The book features inspired caricatures of Marcello Mastroianni, Barry Goldwater, J. Edgar Hoover, Frank Sinatra and other figures of the time. The drawings are striking for their color and detail (other artists assisting Elder include Frank Frazetta, Al Jaffee and Jack Davis), and the backgrounds are filled with hilarious antics in the classic Elder style. Sketches, drawings-in-process, a history of Little Annie Fanny, as well as annotations on each comic segment are also included.

Review
...Some of the farthest-out, most beautifully executed episodes of the zaniest, lushest, most unique cartoon feature ever conceived. -- Hugh Hefner

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TOTH: ONE FOR THE ROAD
Paperback: 171 pages
Publisher: Auad Publishing; 1st Edition (2000)
Product Dimensions: 8.5 x 11 inches

In years past the great illustrator/cartoonist, Alex Toth, has drawn some of the cleverest and funniest pages for such classics as Pete Millar's 'Drag CarTOONS', 'Big Daddy Roth' and other books that are now held as prize possessions by hot rod fans everywhere. Here -- for the first time -- is the most comprehensive and extensive collection of the legendary Toth's renditions of the good ol' days of hot rod'n.

Introduction by Pete Millar

I don't know exactly when I first came in contact with Alex…or how it all came about. I do know that as a young, struggling publisher/cartoonist, it was the best thing that ever happened to my publications (DRAG cartoons and ED "Big Daddy" ROTH) and to ME personally…as I had, as most of you, been BIG fans of Alex Toth and to have his art grace the pages of those two publications was beyond my wildest dreams.

When I first started my publication, the only member of my "staff" was Dennis Ellefson, my right hand man. But I did have quite a few freelance contributors, such as Jim Willoughby, Willy Ito, Jim Mueller, Jim Williams, Woody Kimbel, and Foster Moore (Napoleon).

By 1964 I decided to expand my publications and was looking for fresh talent. I was given the names of Rick Griffin, Mel Keffer, Hy Mankin, Russ Manning, Alex Toth, Warren Tuffs, and Gilbert Shelton…all high caliber cartoonists in their own right. Never dreaming they'd be the least bit interested in stepping down from the quality publications they've drawn for previously, but I gave it a shot. And they each responded enthusiastically.

My normal page rate at that time was $50.00 per page. But I couldn't offer those "heavyweights" that kind of money so I "robbed Peter to pay Paul" and offered them $75.00 per page and that included lettering. But much to my surprise, I discovered that in the comic book business, there are separate individuals who are story writers, pencilers, inkers, and letterers. For someone like me who did it ALL, it came as a big surprise. But Alex was something special…not only did he grasp the world of Drag Racing and write his own stories, he delivered them COMPLETE and all for only $75 bucks a page! But that was, and is, the cartoonist Alex is. He researches his subject matter and draws with authenticity, but of course you fans of Alex already know that.

So when Manuel asked me to write an introduction to this publication, I felt quite honored to, once again, be associated with someone like Alex Toth.

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Silversun Pickups - Panic Switch
Directed by James Frost.
Category: Music
Tags:
sspu silversun pickups swoon panic switch james frost

Silversun Pickups playing "Panic Switch" live at Rasputin records in Berkeley for national record store day on 4/18/2009

SILVERSUN PICKUPS performing "Panic Switch" live at Shamrocks & Shenanigans March 17 2009 Kansas City Missouri. Song is off their new CD Swoon. They are an American indie rock band from Los Angeles, California and the current band lineup consists of Brian Aubert (lead vocals/guitar), Nikki Monninger (bass/vocals), Christopher Guanlao (drums), and Joe Lester (keyboards).
Category: Music
Tags:
Silversun Pickups Panic Swith Swoon Brian Aubert Nikki Monninger Shamrocks Shenanigans Kansas City KCLive! alteranive rock 96.5 Buzz


Live at the Echoplex | Los Angeles
April 30, 2009
Their first headlining show in support of their new album Swoon and also a benefit for The Pablove Foundation fighting childhood cancer (http://www.pablove.org/).
Category: Music
Tags:
silversun pickups panic switch swoon live la echoplex pablove foundation


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transglobalcom
If Not Superheroes, What? - Romance Comics?
by: trans_global_comics_and_magazines( 3214)
2 out of 2 people found this guide helpful.
Guide viewed: 1965 times Tags: comics | books | history | girls | romance


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If Not Superheroes, What? - Romance Comics?

One comics form, though it enjoyed a decades-long history, became a casualty to the changing mores of the culture (in addition to the other vectors that lead comics to extinction). The perceived obsolescence of the monogamistic ideal, as viewed through the selective lens of the sexual revolutionary, rendered tales that idealized old-school approaches to pair-bonding themselves obsolescent. Sometime between the fifties, romance literature (including prose and comics) would shift from fantasies about meeting and marrying Prince Charming to fantasies about husbands who conveniently die to clear the field for the newer, younger, and more interesting Prince Charmings (see publishers like Harlequin, et al). In the process, comics fans - which, over time, increasingly comes to mean superhero comics fans - came to view romance comics with a sneer, in spite of a much more solid grounding in reality and an overall greater relevance to readers even vaguely within the gene pool. Examined as literature, however, the romance comic does not necessarily have less to offer, storytelling-wise, than, say, the superhero comic; it just averages a more plausible wardrobe all around, a few less space aliens, and sound effects less likely to rouse the children from their naps. And, as with other specimens of the other comics - the pieces that once existed before superhero comics consumed the market - the romance comic generally played a variation of one of a set of fairly reliable themes.

Origins

A great die-off of superheroes began with the end of World War II. The loss of military contracts to provide disposable reading matter to servicemen overseas ate into sales figures; the aging of a readership in a day when one generally considered teenagers too old for reading comics moved domestic patrons out of the market; and, of course, not all heroes had what it takes to create an enduring readership. If the superhero ailed in those days, comics creators themselves kept moving to attempt to present material that would engage readers and, therefore, move off the news stands. Sometimes existing genres rose into the vacancies created by expiring superhero material; sometimes publishers crowded out failing heroes to make way for other, theoretically more commercial material. In this era, we saw as a defining event the eviction of Green Lantern from his own title to make space for a wonder dog strip. After the end of the war, popular interest somewhat shifted from martial concerns (say, costumed heroes) to domestic ones (say, radio serials and movies dealing with romance). Radio, television, and theater consumed increasing chunks of recreation time in the decade immediately following the end of the War, and two innovative talents from the thirties and forties - Joe Simon and Jack Kirby - decided to test the waters of romance in comic book form in 1947. For its moment, the form would flower, even spawning sub-variants such as cowboy romance material and Black romance comics. And the flagship romance comic, Young Romance, would endure through over 200 issues and over 20 years, spanning more than one publisher in the decades of its existence.

Conventions

False confessions became an early conceit of the romance comics back in the day when the entire genre belonged to its creators, Simon and Kirby. Given the fictional device of first-person narration combined with the relentless maleness of the two creators, one can see as inevitable that a certain amount of fraud (of the kind absolved by willing suspension of belief) would originate with comics with female protagonists. Magazines with titles like True This and Real That led the way for this approach. Moralism also played a central role, as it would in a number of comics forms that predated the Code that arose to address the immorality of the form. Characters met bad ends in proportion to the bad deeds they perpetrated; blackmailers and scoundrels could expect disgrace, jail, or even death so reliably that one would assume moral laws drove the physics of comics. One may also note that, since the romance comics barely endured into the seventies, that the morality they depicted resounded with pre-sexual revolution themes. Hence a norm of hetero-monogamy prevailed. This provided the third key element: The monogamistic happy ending that stood as the Mecca all characters seemed to seek in the romance comics. In an age where Everyman seemed to view marriage as central to long-term happiness - certainly an arguable position - all tales sought, and either achieved or failed to achieve, this goal. With some combination of the three principle conventions of the form, romance comics furthermore explored tales which typically fell into categories such as Cinderella fantasies, near escapes, tragic endings, fantastic redemptions, and just deserts.

Cinderella Fantasies

A harsh commercial of an earlier decade featured a young girl, playing with some dolls, and babbling on about how a prince would someday take her as his wife and solve, once and for all, her material needs. This particular gem of advertising ended with the claim that the young heroine could expect to appear on the welfare rolls with a head full of such fantasies. While one might well invite the authors of such shock-and-naysaying material to lighten up or at least leave the pessimism at home a few days out of the year, the Cinderella Fantasy does still offer a sometimes-destructive lure to females in a variety of cultures. The fantasy tends to do its damage by training young people to expect a Prince Charming - a kind of deus ex machina but with money and big pectorals - to make everything right. While one focuses one's strategies on waiting for unlikely happenings such as the timely appearance of a Prince, one does not invest in a future made better through one's own efforts; and this applies across lines of sex, gender, or whatever folks call it these days. Preparing for the worst does more good than idling away time hoping for the best without human effort to back it up. The romance comic originated in a day where western culture offered many fewer opportunities for self-reliance for females, and quietly expired in a period that suggested new possibilities. Perhaps the perceived "corniness" of Cinderella-fantasy material helped bring the romance comics down; and perhaps such fantasy became less and less relevant. The publishers of the pure-prose bodice-ripper don't seem to think so, however.

Near Escapes

The near escape story enjoyed a flexible range of components, depending on the thing from which our protagonists - typically female - needed to escape. Their own pasts, simple bad luck, or the schemes of wicked rivals for a partner's affections (or of wicked contenders for their own) provided the raw material for the near escape story. Temptation frequently played a central role in stories of this sort. Partially because this helped real people to relate to fictional stories, and partially because too much strength of character can make players dishwater dull, our stalwart heroines risked falling into the gap between what they wanted, what they could have, and what they should have, a differential frequently thrown into contrast by desires for material security or simple devotion from a tenuous partner in love. However, the moral determinism of many comics - the poetic justice that could, if necessary, overturn natural law - ultimately righted wrongs brought about by the evil intent of characters in the romance comics. So, if one looks at contemporaneous material, one can see a common pattern of karmic retribution. The Comics Code Authority did not invent this morality; it just codified it as an editorial standard with the power of preemptive censorship for material that failed to comply.

Tragic Endings

On one level, romance comics dared take a more adult approach than many other forms of comics, including the earlier and later superhero comics. Free from the burdens created by combining a shared universe/continuity model with an ongoing monthly publishing schedule, the romance comic could, if the story required, kill off major players (who, we must admit, probably never appeared before and almost certainly would never appear again anyway). This gave a freedom lacking from comics forms that use editorial models that claim to allow for or even require change yet must not dispose of the intellectual properties that move the books in the first place. A widow or ex-lover could relate the details of the event which forever separated her from her beau. The five-and-ten pager, after all, allowed creators to reach for effect rather than requiring them to build on a canon of stories. If the tone writers and artists sought required the Loving Husband to die saving the world from the Hun so that his bereaved could get maudlin and reflect on an idealized version of a short yet intense marriage, they could slaughter with impunity.

Fantastic Redemptions

Although wickedness tended to bring characters to well-deserved bad ends, plenty of stories allowed once-wayward characters a chance to redeem themselves from a past not always fully of their own creation. Variants of the Reform School Girl Romance and the Poor Girl Transcends Her Humble Origins made for a consistent fodder of the romance comics. In general, though, these stories deal with either reformed characters - meaning protagonists with a seedy past but a fairly upright present or those who, in the present, do little worse than attempt to conceal a long-past seediness lest it wreck their futures. And they also conveyed a moralistic, and frequently unrealistic, message about the concrete and external benefits due to those who reform on an abstract and internal level. With this kind of story, the wish-fulfillment element of the romance comics shows more strongly than in many of the other versions.

Just Deserts

Wicked women and scandalous rakes both appeared, as a kind of ferment, in many tales of the old romance comics. Without the Serpent in Eden, after all, the story amounts to little more than two people picking fruit off trees all day and trying to invent new ways to combat the ever-mounting boredom. Someone has to make trouble or nothing might ever happen. [Misbehaving beaux and belles, as staples of the form.] As well, the Just Deserts model of romance comics story served its wish fulfillment aspect rather well. People whom others have wronged, after all, may wish to see some of the suffering bad people inflict return to them rather than fall exclusively on the shoulders of the innocent and the exploited. Typical romance-comics offenses include mate-stealing; mate-killing, to replace an older model with a newer one; concealment of an ongoing lurid or criminal double life; and a repertoire of methods for ruining the lives of married couples for the sake of attempting to have more than one deserves. The moralism of the form makes itself well-felt here. Ignore the nihilism of twentieth-century classical prose pieces like Kafka's "The Metamorphosis;" the rogue and the vampire (in the old sense of the term, used to label a woman as greedy and parasitic) either found themselves alone, or in jail, or even dead.

The Fate of the Form

A multi-tiered attack ultimately caused the romance comics, after a quarter of a century, to disappear from the news racks. No one of these forces killed off the form - indeed, it could resurface someday - but the combination of factors working against this genre ultimately smothered it under its cumulative weight. A changing morality made their moral emphasis appear quaint and dated (by modern standards, the emphasis on hetero-monogamy might appear positively malign); the reward of home and hearth began to seem irrelevant or even a form of bondage; across all genres, comics had suffered in the mid and late fifties from factors including growing disinterest and a censorship of prior restraint; the post-Stan Lee comics would preempt somewhat the romance theme by allowing superheroes solid romantic connections; and, finally, the superhero comic would come to dominate the aesthetic ecosystem of the form to the point of crowding out other material, regardless of genre.

The Talent

Names that one normally doesn't associate with the romance comic, since they attach to other, previous or subsequent, achievements, belong in the canon of romance comic talent, including its inventors, Joe Simon and Jack Kirby. Observers of the medium suggest that a number of canonical figures of fifties and sixties comics (or that got their start there) did so in the early romance comics, acquiring a different set of skills than required by the superhero stories that once propelled the medium. Names like Matt Baker, Frank Frazetta, Everett R. Kinstler, Jay Scott Pike, John Romita Senior, Leonard Starr, Alex Toth, and Wally Wood belong in this set (according to Jim Korkis in Teen Angst). Some would go on to distinguish themselves in other genres, including, but not limited to, the ubiquitous superhero form. We can add other names to this. Marie Severin, for instance, described one Marvel job she received doctoring old romance comic pages from the sixties to make the clothes more appropriate for 1970, installing details like flared trouser cuffs and pointy collars (a task of considerable tedium). A particular set of talents developed in the romance form, including skills not always acquirable in today's superhero-dominated comics market. In a romance comic, the credibility of characters and settings assumes an importance generally foreign to more fantastic genres: Anatomy that never occurs in nature, clothing that would violate the dress code of a circus, and facial expressions that fall into two categories (snarl and non-snarl) would all ruin the plausibility of a romance comic. So artists learned to bring out the nuances of emoting faces, the detail of conventional clothing, and human bodies that suggested the beautiful but not the impossible. Using Romita as an example - if an exceptional one - we can note that his assumption of the artistic role on Amazing Spider-Man saw an increasingly expressive set of characters and a definitely more beautiful female (and, for that matter, male) cast. Romita may not have worked in the wildly imaginative manner typical of Ditko on pieces like Dr. Strange stories, but he certainly brought a great deal to the books he worked on, regardless of the subject matter, and the best things he brought seemed relevant to his romance comics background. Owing to the small footprint that romance comics seems to have left on fandom - the superhero form dominates fandom in a way that leaves some of the once-diverse comics medium to the attention of scholarly historians of the subject - locating a canonical list of the artists and writers who made their careers on this material represents a problem of the very availability of the information.





Guide ID: 10000000003436687Guide created: 04/24/07 (updated 06/15/07)

 
 
transglobalcom
Complete Runs : romance and war titles *GA/SA/BA*

Pedigree Worth 100K = 5.5 long boxes: archival (drawers)

100's of Top CGC Census-I've been upgrading, always, via ebay, since 2003.
OBO, Or Best Offers. Always accepting low-ball offers. Send me your want list, please. THX l INTERSTICIAL OPERATOR
Complete Runs : charlton romance and war titles *GA/SA/BA*

4 SALE Charltons: (5.5 longboxes) War & Romance, extended runs.

War

Fightin Navy
Fightin Air Force
U.S. Air Force
Submarine Attack
War at Sea

Romance

Brides in Love
Career Girl RomancesConfidential Diary
Cowboy Love
Cynthia Doyle, Nurse in Love
Doctor Tom Brent, Young Intern
Emergency Doctor
First Kiss
For Lovers Only
Haunted Love
High School Confidential Diary
Hollywood Romances
I Love You
In Love
Just Married
Love and Romance
Love Diary
My Only Love
My Secret Life
Nurse Betsey Crane
Romantic Secrets
Romantic Story
Secret Romance
Secrets of Love and Marriage
Secrets of Young Brides
Soap Opera Love
Soap Opera Romances
Sue and Sally Smith, Flying Nurses
Summer Love
Sweetheart Diary
Sweethearts
Teen Confessions
Teen Secret Diary
Teen-Age Confidential Confessions
Teen-Age Love
Time For Love
Young Doctors


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transglobalcom






Complete Runs : romance and war titles *GA/SA/BA*

Pedigree Worth 100K = 5.5 long boxes: archival (drawers)

100's of Top CGC Census-I've been upgrading, always, via ebay, since 2003.
OBO, Or Best Offers. Always accepting low-ball offers. Send me your want list, please. THX l INTERSTICIAL OPERATOR
Complete Runs : charlton romance and war titles *GA/SA/BA*

4 SALE Charltons: (5.5 longboxes) War & Romance, extended runs.

War

Fightin Navy
Fightin Air Force
U.S. Air Force
Submarine Attack
War at Sea

Romance

Brides in Love
Career Girl RomancesConfidential Diary
Cowboy Love
Cynthia Doyle, Nurse in Love
Doctor Tom Brent, Young Intern
Emergency Doctor
First Kiss
For Lovers Only
Haunted Love
High School Confidential Diary
Hollywood Romances
I Love You
In Love
Just Married
Love and Romance
Love Diary
My Only Love
My Secret Life
Nurse Betsey Crane
Romantic Secrets
Romantic Story
Secret Romance
Secrets of Love and Marriage
Secrets of Young Brides
Soap Opera Love
Soap Opera Romances
Sue and Sally Smith, Flying Nurses
Summer Love
Sweetheart Diary
Sweethearts
Teen Confessions
Teen Secret Diary
Teen-Age Confidential Confessions
Teen-Age Love
Time For Love
Young Doctors


From: louis james (monsanto7@msn.com)
Sent: Tue 6/30/09 4:38 PM

Greetings:

I'm Louis James, down here in the Tampa Bay area.

You may know me as one of these:

INSTITUTE FOR ADVANCED MAGAZINE STUDIES, DELTA D GICLEE GALLERY AND DESIGN ATELIER,
TRANS GLOBAL COMICS AND MAGAZINES, RETROACTIVE INFORMATION SERVICES,
COMIC CRYPT AND MAGAZINE MAUSOLEUM, MONSANTO WESTINGHOUSE, CARSTAIRS BAGLEY, JR.,
& LOUIS COOK JAMES, JR., (WITH SHOTGUN SINCLAIR)

I'm luxxcorp, BLAM_BLAM_BLAM, King_of_Batch, llll, Sharpshooter, Panelologist, Hello & Ken Quinncannon. Actually, Kensington Quinncannon. Plus Bruce Chambers.

Anyway, would you be interested in some of a Charlton War & Romance Collection of every title and almost every issue of all the Charlton romance titles? (Plus the Charlton war titles listed above.)

I'd like to keep the long runs intact, if not the complete collection, which is seven (5.5) archival long boxes. The unique aspect of these Charlton War & Romance runs, or the hook you can hang some hype on, is that I've been assiduosly upgrading them all since 2003, therefore; I have the copies in the best condition, ergo: top of the CGC census for hundreds of these.

Can we deal? I've emailed Heritage, (Steve Borock) Harley Yee, Lone Star, etc. and have received no response, as of yet. CLink is next if you turn me down. I need help. PLZ?

THX

l - retroactive_information_services

Complete Runs : romance and war titles *GA/SA/BA*

[color=blue]Pedigree Worth 100K[/color]: 4 long boxes - 100's of Top CGC Census-I've been upgrading, always, via ebay, since 2003.
OBO, Or Best Offers. Always accepting low-ball offers. Send me your want list, please. THX l
[size=24]:thumb: INTERSTICIAL OPERATOR :clap:[/size][size=18][b][u][color=red]
Complete Runs : charlton romance and war titles *GA/SA/BA[/color]*[/b][/size][/u][size=24][/size]


my slideshow
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transglobalcom
28 February 2009 @ 10:38 pm


INSTITUTE_FOR ADVANCED_MAGAZINE_STUDIES_BIG_GIFT_ HUGE_ LOT_RARE_SCARCE

DROP DEAD GORGEOUS RETRO PEDIGREED PUNK TECH *LUXXCORP* GET OUT OF HERE OUTTA HERE GO TO HELL

OVERSIZED_BIG_LOTS_HUGE_LOT_COMICS_HTF_RARE_SCARCE_COOL_POP_ART_PRINTS_OVERSIZED

PUNKS DIY GARAGES METAL BANDS ROCK AND/OR ROLL FANZINES OVERSIZED OVER SIZED OVER-SIZED TABLOIDS NEWSPAPERS LARGE SCALE MAGAZINES MONTHY COMIC BOOK PRICE GUIDES.

EPHREMERA PROMOTIONALS LIMITED EDITIONS LOW PRINTS RUNS DEALERS INCENTIVES IMPORTED

INTACT COLLECTION OF PEDIGREE COMICS > GCG' EM (HA!) CGC

CHERRY PICK 'EM, UNCHERRYPICKEDOVERSIZED_U-PIC_CUSTOMIZATION_BIG_LOTS_HUGE_LOT_COMICS_HTF_RARE_SCARCE_COOL_POP_ART_PRINTS_OVERSIZED

GREAT BRITAIN BRITISH INVASION U.K. UNITED KINGDOM ENGLAND ENGLISH LIMEYS LONDON IRELAND SCOTLAND WALES WELSH AUSTRALIAN NEW ZEALANDERS DOWN UNDER

MISC. EPHREMERA, PROMOTIONAL LIMITED EDITIONS LOW PRINT RUNS DEALER INCENTIVES IMPORTS IMPORTED

CLICK TO EMBIGGEN. AGAIN TO MANIFY.


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THE OTHER BIG LOT 0

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under construction
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114 mod gga bga comics art collections slideshows
U-Pick 'em > Make an offer


layout for myspace


 
 
transglobalcom
28 February 2009 @ 10:27 pm
http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=360135473951 LUXXXCORP SEXPIT<7SE7EN>@SILICONSTRIP 33626 transglobal trans global american institute advanced books magazine comics paradigm delta DeLux BUY MY E-BOOKS $1.55 EA. @ LULU.COM PLEASE TRANSGLOBAL COMICS AND MAGAZINES, INSTITUTE OF ADVANCED MAGAZINE STUDIES, DELTA D GICLEE GALLLERY AND DESIGN ATELIER, MONSANTO WESTINGHOUSE, CARSTAIRS BAGLEY, JR., & LOUIS COOK JAMES, JR., (WITH SHOTGUN SINCLAIR) http://www.myspace.com/louiscookjames http://transglobalcom.livejournal.com/ http://lilllouspokerparty.blogspot.com/ http://77siliconstrip.blogspot.com/ http://louisjames.blogspot.com/ http://weddingcovers.blogspot.com/ http://foreigncomicbooks.blogspot.com/ http://luxxxcorp.blogspot.com/ http://luxxxxcorp.blogspot.com/ http://MonsantoWestinghouse.blujay.com Modern Contemporary Giclee Print! Support independent publishing: buy this e-book on Lulu. ACEO - Artist Trading Cards EBSQ - Self Representing Artists Favorite Books FIGHT CLUB, CYBERPUNK, SPLATTERPUNK, OVERSIZE GRAPHIC DESIGN DOORSTOPS, CHUCK PALAHNIUK, RAYMOND CHANDLER, BRET EASTON ELLIS', HENRY ROLLINS, MARK TWAIN, BOOKS FROM THE AMOK CATALOGUE, ReSEARCH, EMIGRE, RAYGUN, (Those last three are/were magazines.) Vanity Fair, too. Plus ARTFORUM and MILLIMETER, St. Petersburg Times and the Wall St. Journal Favorite Movies FIGHT CLUB, DEMONLOVER, RUMBLE FISH, OLD B/W FLIX ON TURNER CLASSIC MOVIES, The Castle of the Living Dead, 300 Favorite Music/Bands DJ SHADOW RULES! BECK, TOO! Can't forget NEGATIVELAND or ART OF NOISE. Mad props go out to GETO BOYZ, THE PRODIGY, THE ORB, CHEMICAL BROTHERS & PIGFACE! ALL MASH-UPS Favorite TV Shows I don't watch TV. I don't own one. (I would watch HBO dramas, Adult Swim & MST3K) Drag Racing Crashes Compilations http://www.youtube.com/watch?v=wz8HdTCzQIE&mode=related&search=

how communication arts comics magazines computer designs types fonts graphics grafix graphics arts graphic arts CAD lowbrow lot romances sexy pinups pin-ups headlights GGA BGA bad girl art good girl art sleaze sleazy cartoons playboys penthouses hustlers pornography pornographic vintage risque mens mans nudity classics detectives killers murders murderers mysteries mystery crimes strippers burlesque nudes Spiderman Spider man Batman Daredevil Superman Wonder Woman X-Men Hulk Thor horrors wars loves indy indie weirdos oddballs womans womens army navy air force marines male female spy spies soldiers pilots snipers bombers 1940's 1950's 1960's 1970's forties fifties sixties seventies * 通信艺术漫画杂志计算机怎么设计字体图表grafix形象艺术形象艺术CAD教养浅薄全部浪漫史性感的pinups别针上升有伤风化的精神供以人员裸体经典之作探员凶手谋杀凶手奥秘奥秘罪行刮毛器滑稽的裸体高空作业的建筑工人蜘蛛人蝙蝠侠冒失鬼超人好奇女子X人废船托尔恐怖战争爱indy indie古怪的人穿着或行为古怪的人womans妇女的军队海军空军男女海军陆战队员暗中侦察间谍战士飞行员狙击手轰炸机1940'的车灯GGA BGA坏女孩艺术好女孩艺术廉价单薄的动画片花花公子顶楼房屋骗子色情色情的葡萄酒; s 1950' s 1960' s 1970' s四十年代五十年代60七十 * 커뮤니케이션 예술 만화 잡지 컴퓨터가 유형 글꼴 도표 grafix 그래프 아트 그래프 아트 CAD 저속한 제비 로맨스 섹시한 pinups를 디자인하는 헤드라이트 GGA BGA 남여 간첩 간첩 군인 조종사 저격병 폭격기 1940'가 음란한 mens에 의하여 벌거숭이 고전 담정 살인자 살인 살인자 신비 신비 범죄 스트리퍼 burlesque 누드 높은데서 일하는 사람 높은데서 일하는 사람 배트맨 무모한 사람 수퍼맨 원더 우먼 X 남자 노후선 Thor 공포 전쟁 사랑 indy indie 기묘한 사람 괴짜 womans 여자의 육군 해군 공군 해병 사람을 배치하는 나쁜 소녀 예술 좋은 소녀 예술 sleaze 하찮은 만화 바람둥이 고급 주택 사기꾼 포르노 포르노 포도 수확을 방법 핀 올린다; s 1950' s 1960' s 1970' s 40대 fifties 60년대 70 년대 * コミュニケーション芸術のコミックの雑誌コンピュータが活字体のグラフィックのgrafixのグラフィックアートのグラフィックアートCADの無教養なロットのロマンスのセクシーなpinupsいかに設計するかヘッドライトGGA BGAの際どいメンズが裸体像の古典の探偵キラー殺害の殺人者のミステリーミステリー罪のストリッパーのパロディ風の裸体のスパイダーマンのくも人のバットマンの向こう見ずのスーパーマンのワンダーウーマンのX人の廃船体のトールの恐怖戦争愛indy indieの変人の変わり者のwomansの女性の軍隊海軍空軍海兵隊員の男女のスパイのスパイの兵士の操縦者の狙撃兵の爆撃機1940'に人を配置する悪い女の子の芸術のよい女の子の芸術の汚職の安っぽい漫画のプレーボーイのペントハウスのハスラーのポルノグラフィーのポルノ型をピン持ち上げる; s 1950' s 1960' s 1970' sの40年代の五十年代の六十年代の70年代 * πώς επικοινωνίας τεχνών comics περιοδικών υπολογιστών σχεδίων τύπων πηγών γραφικής παράστασης grafix γραφικής παράστασης τεχνών ο γραφικός τεχνών CAD lowbrow μερών ειδυλλίων προκλητικός pinups καρφίτσα-UPS προβολέων GGA κακός κοριτσιών BGA τέχνης καλός κοριτσιών τέχνης πορνογραφικός τρύγος πορνογραφίας hustlers ρετηρέ κινούμενων σχεδίων ακαταστασίας sleazy playboys risque mens επανδρώνει οι δολοφόνοι ιδιωτικών αστυνομικών κλασικών γυμνότητας δολοφονούν strippers εγκλημάτων μυστηρίου μυστηρίων δολοφόνων τα άνδρα-γυναίκας βομβαρδιστικά αεροπλάνα 1940' ελεύθερων σκοπευτών πιλότων στρατιωτών κατασκόπων κατασκόπων ναυτικών Πολεμικής Αεροπορίας ναυτικών στρατού των παρωδίακων Hulk Χ-ατόμων γυναικών κατάπληξης υπερανθρώπων παράτολμων Batman ανδρών αραχνών σπάιντερμαν nudes Thor φρικών πολεμικών αγαπών indy ανεξάρτητων δισκογραφική εταιρία γυναικών weirdos oddballs womans s 1950' s 1960' s 1970' δεκαετία του '70 δεκαετίας του '60 δεκαετίας του '50 δεκαετιών του '40 του s * wie Kommunikationskunstcomics-Zeitschriftencomputer CAD-unbedarfte Los Romances grafische Künste der Schriftartgraphiken grafix Grafikkünste reizvolle pinups entwirft, Stift-ups der Mädchenkunst der Scheinwerfer GGA BGA pornografische Weinlese der schlechten der Mädchenkunst-Korruption guten Karikaturschürzenheld-Penthausarbeitstier-Pornografie leichten, die risque Mens Spiderman-Spinnenmann Batman-Draufgänger-Supermann-Wunder-Frau X-Männer SchiffsrumpfThorgrausigkeitkrieglieben Armee-Marineluftwaffe der indy indie Weirdos-Verrücktere womans Frauen Akt der Nacktheitklassikerdetektivmördermordmördergeheimnisgeheimnisverbrechenarbeitswalzen burlesque bemannt, die männlich-weiblichen Marinen SpionsoldatpilotScharfschützebomber 1940' ausspionieren; s 1950' s 1960' s 1970' s-Vierzigerjahr-Sechzigersiebziger * как компьютер кассет комиксов искусств связи конструирует романс серии CAD графических искусств искусств графиков grafix графиков видов шрифта pinups lowbrow сексуальные штыр-поднимает порнографии hustlers пентхаусов плейбоев шаржей аморальности искусства девушки искусства девушки фар GGA BGA год сбора винограда плохой хорошей неряшливой порнографическое рискованный mens укомплектовывает личным составом влюбленностей войн ужасов Thor большого судна X-Людей женщины интереса супермена удальца бэтмэн человека спайдера человек-паука обнажённых стрипперов злодеяний тайны тайн душегубов убийств убийц сыщиков классик наготы женщин womans чудаков weirdos indie бурлескных морских пехотинцов военновоздушной сила военно-морского флота армии indy мыжские женские шпионят бомбардировщики 1940' снайперов пилотов воинов шпионок; s 1950' s 1960' s 1970' семидесятые годы шестидесятых годов за пятьдесят forties s
 
 
transglobalcom
27 February 2009 @ 02:42 am
Whilce Portacio
Limited Edition Convention Sketchbook (No date) 155/1000
Autographed (signed signature)
$30.00 (or best offer)
(Digest-sized)

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SLIDESHOW
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